This thesis reviews the concept of soundscapes with listener-centered methodologies. Explores auditory spaces by conscious-listening, documenting and realizing it’s perceived narrative. Emphasizing the unique textures found within these sounds has resulted in musical compositions that are made using excerpts from field recordings. Rationalizing the intangibility of human- soundscape interaction to reflect on its spatial, temporal and interactive aspects. Most sounds we hear around us are accidental. Most elements of our soundscape are unintentional, undesigned and involuntary. Due to which we have managed to build a secondary relationship with sound, in which we tend to suppress what we don’t consider useful. We call it “Noise.” This approach has desensitized us to its presence. The soundscape of the world is not an indeterminate composition. We compose it.